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Times | Nathalie Kertesz Maor
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A Wedding in Times of Plague
A Tragicomedy at the Leper Asylum
Based on a short story by Isaac Leib Peretz
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Runaway Circus ~ Jerusalem Design Week, 2021
Over 160 participating artists and designers!
July 1-8 at Hansen House, Jerusalem
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Total Request Live, 30 Years Later
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Elements
New exhibition
17.9-13.11.2021
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Being There – Oltre il giardino | Claudia Losi
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In Print Art Book Fair Open Call Application
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ZER0|1NE Festival
28-29.12.2021
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Kudüs-i Sherif: a view at Jerusalem from Istanbul
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Framed Expanse - Ezra Orion
Closing - April 2nd, 2022
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Primavera 2022
April 7th-8th, 2022
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Play- Family Festival 2022
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Jerusalem Design Week 2022 | FOR NOW
23-30 June 2022
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What's More, Yellow or an Elephant?
29.7-9.7.2022
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Resting Bitch | Sharon Balaban
Curators: Sala-Manca
Mamuta Art and Research Center and Hansen House
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The Sad Locust Hunters | Yifeat Ziv
4.11.2022 - 26.12.2022
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Acoustic Signature
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In Print Art Book Fair 2023
Thursday, January 12, 15:00-23:00
Friday, January 13, 10:00-14:30
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Hansen_10
19.1.23-16.3.23
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פרימוורה #10 יריד המעצבים של בית הנסן
23-23.3.2023
Free Entrance
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CQ
20.06.2023 – 16.04.2023
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Total Care
Shir Senior and Keren Kuenberg
21.4 - 2.6.23
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Memories of Others: Irit Batsry
A new exhibition at Mamuta Art Research Center
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Facing Reality
20.7.23-28.7.23
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Drama Storytelling - Media Conference- DIGITAL // TV // AI
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Records: Ayala Shamir
Closing 7/10/2023
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The Voyage to Nowhere
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Up Top: Manofim Festival X Hansen House
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The Mixer: Musical Performance Series
Thursday, 26.10.2023
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The 8th Jerusalem Art Conference
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Exhibition: The Private Press in the Small Room
Mamuta Art and Research Center
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Smart Home in a Dumb Body
Closing: 17 February 2024
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Print Shop X Wrapping Memory
"Wrapping Memory"
Direct donation to Gaza envelope residents
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Open Call for Designers - Primavera Fair
Application Deadline: 01.03.2024
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Open Call - Jerusalem Design Week 2024
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In-attention
Opening: Friday, 23.5.2024, 11:00
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With Blind Steps
Curator: Judith Lenglart
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The Ark - Jerusalem Design Week 2024
Jerusalem Design Week, September 19-26.2024
Design Exhibitions, Installations, and Events
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The Ark - Receding Waters
14.10-13.12.2024
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In Print | Holiday Edition
25-27.12.2024
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Guided tour: from a leprous house to a creator's house Advance reservation
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The Historical Exhibition
Now in Hansen House:
Rejoicer Presents: Leper's Delight
Now in Hansen House:
Rejoicer Presents: Leper's Delight
by Rejoicer and Yosef Mashiach
Tea House Gallery
CQ is an original work created by musician and instrument builder Cooper-Moore for the Sound Gallery The Tea House. In this work, Cooper-Moore recalls memories from his childhood when he used to listen to shortwave radio, which is a range of radio frequencies that allows broadcasting to a long distance and was popular among radio enthusiasts for personal and anonymous communication across the world.”
״As a boy, from 10 years old, I had an interest in shortwave radio. I was a listener. (SWL)
This was before the internet. From my listening place in rural Virginia in the U.S.A. I heard the world, London, Delhi, Quito, Cairo, Moscow. Many of the sounds that I have been attempting to create, I first heard on shortwave radio.
My three older brothers were boy scouts. In their Boy Scout Survivor’s Manual was a copy of the Morse code.
As I did more shortwave radio listening I became better at understanding code. Some sender’s
keying was precise, others sloppy, some fast, some slow. It became possible for me to recognize senders by how they keyed, some were very musical and flowing, others not.
The first code I ever learned was:
C Q
▄▄▄ ▄ ▄▄▄ ▄ ▄▄▄ ▄▄▄ ▄ ▄▄▄
“Calling, please respond.”
The Morse code is the basis of the work, and Cooper-Moore uses it to encode text into rhythm. The work is a collection of etudes, small pieces composed of material from human traits names that underwent transformation and coding into rhythmic patterns. By using coding techniques, the pieces move between florid rhythms and jarring harmonies, resulting in a unique and intriguing sonic experience.
Curator: Amir Bolzman | Sound Design: Daniel Meir, Itzik Gil Avizohar | Project Manager: Naama Mokady | Artistic Direction: Sala-Manca and Amir Bolzman | Cooper More’s visit is possible thanks to The Artists Residency Herzlia